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August Interview: The Famous Chicken
Interview conducted: July 2002

What better way to celebrate 4 years on the web than with a huge legend?

The Famous Chicken has been labled one of the 100 most powerful people in sports in the 20th century by The Sporting News. He is a revolutionary performer who started a feathered and furry phenonmeum that has spread across the globe.

The alter-ego of the world's most famous poultry, Ted Giannoulas, joins us for the August 2002 Gameops.com Interview for a look at mascotting, the evolution of professional sports, and McNuggets.

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Gameops.com: I promised myself I would stay away from bird puns, but the Cardinal Rule of Mascots is “No Talking.” I have seen you give a few interviews, can you start off this interview with your thoughts on doing interviews in or out of costume.

The Famous Chicken: Well I do it to help promote shows and something to be different. I see the Chicken as a cartoon character. I look around and see Kermit the Frog talking, I see Big Bird talk, I see Barney talk, so I figure the Chicken can talk as well.

Gameops.com:You have been touring now for over 25 years, what are the biggest changes you have seen?

The Famous Chicken: Oh, a couple of things. The renaissance of the ballparks, especially at the minor league level. Some of these are real small communities really doing some kind of job using the ballpark as a jewel and a centerpiece of the skyline and the towns.

Also, I would say the tremendous awareness of sports marketing at the minor league level. There was a time when a big promotion was “Pass the Hat Night” or giving away tickets at the 7-11. Now it is so sophisticated and so up-scale.

"If you can't stand the heat. Stay out the Chicken."

Ted Giannoulas
on performing in a hot costume

I have been doing this since the 70’s, so I have seen dust-bowl ballparks become jewels of the city. And I have also seen real simple promotions flourish into major events for teams. It’s been quite a metamorphosis, especially on the minor league level.

Gameops.com: You have created a cottage industry here as a mascot and inspired a lot of performers along the way. Who do you get inspiration from?

The Famous Chicken: Actually I draw my inspiration from some of the master comedians, like Peter Sellers, Harpo Marx, and Jackie Gleason.

Steve Martin inspired me as a stand-up guy how he thought outside the box, even thought I am not a stand-up guy I was inspired how he thought outside the box as a comic and introduced something new as a stage act. So I think as a comic, or a comedian. I just happen to wear more elaborate make-up, a costume. But I try to be a comedian for the fans of all ages, and appeal to all age groups when I am performing.

Gameops.com: The biggest battle most mascots face is always coming up with new material. You may have a different battle, as you have so many classic routines that fans want to see. How do you balance the classic routines with the new?

The Famous Chicken: I try to do some old favorite, because I do get a lot of requests from the fans. But there is ample opportunities for new material. Towns that we visit only once a year a are a little easier just to do a few staples and introduce a few new staples that I have tried in other towns. If I feel confident I can do something different.

Sometimes gags have a certain shelf-life and then they need to be retired. I used to do a Michael Jackson imitation in the 80’s when he was hot. But that is pretty passé now, and I have move on from that.

The audience likes the mix of new and old. They want to see the old routines, but they like to be surprised with new things. They want to see the chicken babies and they want to see Barney in a break dance contest, but then they want to see something new as well.

Gameops.com: You mentioned what the audience likes to see, but what do you like to do most? The classic routines that people request or the new fresh material?

The Famous Chicken: I like what ever gets the biggest laughs. It’s not about me, it’s about the audience. Last night in Sacramento, and even thought I was there the last 2 years, they went absolutely nuts for the baby routine and the Barney routine. They laughed at the other stuff, but they went into hysterics for those two.

It’s not about me. It’s about the audience I am playing to. That should be the perspective of any entertainer, to push that hot button of humor in your audience. Whatever moves them.

Gameops.com: How about favorite stops on tour. I heard you hit 46 different states this year, so you have any favorite stops?

The Famous Chicken: I like the Midwest quite a bit, I think the best sports fans are in the Midwest. Being on the road, albeit I am very partial to San Diego. Excluding Sdan Diego, it’s hard to beat the audiences in the Midwest.. They really like to cut loose and have fun. Winning and losing doesn’t seem to get in the way of having a good time.

In the Northeast corridor (New York, Philly, New Jersey) they have a lot more fun if the home team is winning.

Indianapolis is my favorite city. Probably the most underrated sports town in America. West Coast are also very good as well, I must say, when the weather cooperates in the Northwest they really let loose on the laugh quotient.

Gameops.com: How about different sports, since they are so different to perform in, which is your favorite?

The Famous Chicken: Well baseball has the best sense of humor of all the sports. Basketball lends itself very well because the court becomes a stage during the timeouts…but my personal favorite is hockey, being from Canada. I love hockey and there are things I can do spontaneously and improvisationally in the context of a hockey game that seem to really endear itself to audiences. But it is a horse of a different color, you can’t do as many planned sketches, but you can improve much better in hockey based on the game: Who’s in the penalty box, how many goals are scored, who hits the glass when you are sitting there. You just have to think on your feet a little quicker.

Read Part Two of the Gameops.com Interview with the Famous Chicken.