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September Interview: Mascot Programs
Interview conducted: August 20, 2000

Erin Blank has been involved in the professional mascot world for 11 years.   Erin is currently the Mascot and Kids Club Coordinator and runs the popular mascot web site, mascot.net.  She has performed at nearly every level and built mascots (literally) and mascot programs for teams in nearly every sport.   Erin joins us for the September Interview.

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Gameops.com:  What are the keys elements to building a good mascot program?

Erin Blank: There are three elements to building a good mascot program:  The costume design, the performer, and the marketing behind the character.  Mascots who don't have one of the elements don't work as well as ones that do, and mascots who have lasted the longest and are the most successful have all three elements working for them.


College

Minor League

NBA

In costume design the key is to create a unique and appealing costume that fits your audience.  Colleges mascots need be a sharp and clever to appease the student aged body.  While minor league mascots should be softer since the audience is made up of families and kids.  Most of the successful NBA mascots are a bit edgier and real since their ticket base is generally older and more corporate.

Costumes need to not only look convincing, but need to allow the performer to animate in a convincing manner. Many costumes often lack in either one of these characteristics. It's crucial to the performer to have a grace period of "breaking in" a new costume to see its limitations. and propose alterations to improve his or her performance.

The second element is finding the right performer who understands comedy and how to work with the promotion department.  They also need to have the correct skill set.  Performers with a hockey team who can't skate will not have credibility with "educated" hockey fans, although there are many great hockey mascots out there who can't skate. They enhance their grace, or lack thereof, with slapstick clumsiness.  The performers also must be a fan of the team and enthusiastic about the team, since you really can't fake that.  Finally the performer must understand the game and it's intricacies.

The final element of a good program is to put some marketing behind the character.  As a team you must develop a game plan.  Determine how to best incorporate your mascot into the game, contests, skits, advertising, community programs, charity events and team merchandising. 

The marketing aspect is the most important and the one that is most often overlooked.  If you don't highlight your mascot, you are telling your fans that it is not really an important part of the team.  Then when you need your mascot to represent the team if wont carry the same value.

Gameops.com:  What is the best way to incorporate you mascot into your game?

Erin Blank: You really have to look at it from your fans perspective.  Look at the age groups of the fans, and ask how they might want your mascot to be perceived.  Are your fans conservative aficionados or younger fans looking for a carnival with a game going on in the middle?

For example the WNBA mascots are more energetic and play a bigger role with the fans, because the audience is much more youth-oriented and less sports purist.

Gameops.com:Once you have found your mascot what sort of guidance should you be giving them?

Erin Blank:The more you can verbalize your expectations the better.  A good first step is to give them the rules of your sport or league.  In baseball, a lot of mascots think they can just go off and run around wild like the Chicken.  So teams need to be clear about what is allowed and encouraged and what is not.  

Major League Baseball actually has rules stating that a mascot can not incite the crowd.  If an umpire feels like the mascot has done this, they can report it to the league and the league has the authority to fine or suspend the mascot.

As a Game Operations Director you also should get familiar with your mascots skills and capabilities, both in and out of costume.  Can your mascot ice skate?  If so can they also safely skate in costume.  Some skills wont translate into a costume as well as others and it's important not to put your mascots in positions where they can not succeed.  Like rappelling in a huge inflatable. Not gonna happen...

I also think it's great to invite your performer into your daily routine once in a while. Let them see all the other things a Game Ops director has to juggle. When I first started working in my team's office I finally realized why my mascot role was where it was at.

Gameops.com:  Seems like a couple times a year you hear about some fan trying to sue a mascot or a team, how do you deal with those situations?

Erin Blank: Obviously trying to avoid problems is the best bet, but accidents happen and some situations can get sticky if a mascots actions are misinterpreted or handled improperly.

I recommend that you keep an open dialogue with between the mascot and the Operations Director.  If a problem occurs write down what happened and all the details you can each night.  Develop a process to log problems and complaints so you have some documentation should a problem arise.

Another common stumbling block between mascots and Game Ops coordinators are
differences between the mascot's previous venues and the differing personality of the crowd concerning the mascot's new job. If you hire a new mascot who has experience in another sport or town, they will need to consider that some of the same material in which they used elsewhere can draw different responses in your arena with your fans. You probably won't get rave reviews if your mascot is using a toy gun to shoot down a villain in an inner city arena. Make sure the performer understands that what they did in college or minor leagues may not play the same everywhere. 

Gameops.com:  How about revenue?  Can a mascot program generate revenue for the team?

Erin Blank: I think it can.  A good mascot program can make money.  Look at what the Phillies have done.  From the early years they had all 3 elements working, great costume, great performer and strong marketing plan.

The revenue generation come from 3 main sources:  merchandise, appearance, and sponsorship.  

I have heard the Phillies makes high six figure income in Phillie Phanatic merchandise.  Now most teams won't generate that kind of revenue, but merchandise can be a significant source of income.  Now as players move between teams with trades and free agency, mascot merchandise becomes a "safe" order.  You mascot is an on-field property that the team has long-term control over.  Griffey Jr. left the Mariners, but the Mariner Moose can be there forever.  A lot of teams are recognizing that and beginning to increasingly utilize the mascot on merchandise.  Team mascots may end up being the final static link between teams and fans.

Paid appearances are a way to both garner public awareness for the team and supplement the mascot's salary.  The Jaguars had their mascot, Jaxson, out in the community for 1,000 hours this past year. That's not only impressive revenue, impressive logo exposure, but also impressive Public Relations directive. How many players spend that much time in the practice gym, let alone on the streets of their towns?

Sponsorship is another method to profit from your mascot.  Several minor league mascots have sponsorship or presenting sponsorship, like Sabre-ru (For Wayne Fury Mascot is sponsored by a local Subaru Dealership).  Some teams have even named their mascot for a corporate sponsor (Minnesota Timberwolves).

I believe it takes about 4 seasons to fully realize the value of your mascot. In that time the impact your character has on the local community and the awareness of your local corporations to see the value of the mascot is significant to make a big jump in your mascot program. The timetable can be longer or shorter depending on the commitment level of the team to promote the mascot. 

Gameops.com:So what are some examples of creating this kind of revenue?

Erin Blank: We have a good example here in Detroit.  We just moved into a new stadium that has several restaurants on-site.  Requests have started to come in for Paws (the Tiger's mascot) to make appearances at the restaurants both during games and in the off season.  That becomes revenue that was not available, and year round exposure to fans that is often difficult to generate.  Many other teams like the Oriole's have "Brunch with the Bird" on weekends, encouraging families to come out on Sunday Mornings when business is slow at Camden Yards...

Gameops.com:  There is an increasing trend of mascots starting events, large and small.  Can you talk about some of these?

Erin Blank: There have been a number of these events starting up recently.  Some are small local events and others have expanded nationally.  They can be a tremendous way to gain positive exposure for your mascot and your team.  Some of the events even generate large revenues for charities.

A number of minor league baseball mascots have started Holiday mascot events.  Some of these are simple appearances at a mall during the holidays or even their own sports
venues.  The mascot dresses up as Santa for photo ops with kids and the teams create a forum to meet with fans and promote tickets and merchandise.  The money raised from photos can be donated to charity.

Concerning charity events, SJ Sharkie (San Jose Sharks) holds a mini-golf tournament every year with kids and Bay area athletes. The event, while
closed to the public except for the families of the children, garners rave reviews from the press and the community at large.

Maybe the biggest mascot event is the yearly Celebrity Mascot Games. This invitation-only event brings in mascots from all around the country for a four-day charity initiative that combines good hospital bedside affection with an "Anything Goes/Gong Show" list of wacky, non-competitive games.  This event has grown tremendously over the years and along with the gate revenue and sponsorship the event brings in over $100,000 for  The New Hope Foundation of Central Florida.


Thanks to Erin Blank for her time and insight in this month's interview.  Erin also deserves credit for her work on the mascot web site (mascot.net) which is a tremendous resource for mascots.


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